Robots: Hate ’em, Love ’em, or Couldn’t Care Less
Or – Robots: Cheap Labor, Companionship, Or Technical Marvels?

Almost one hundred years ago, Fritz Lang created one of the greatest movies, if not in all of film, certainly in science fiction. A masterpiece of the “silent era”, Metropolis delivered a groundbreaking movie experience in story, theme, and special effects, to name a few.
Anytime is a good time to talk about Metropolis, and I would encourage you to see the film if you ever get a chance. (I believe it’s available on several free streaming services like Pluto, Xumi, Tubi, etc. or to rent on Prime.) But today I’d like to consider how the robot was portrayed as an instrument of destruction, used by the ruling class to sow chaos and destruction. Her/Its impersonation of the human Maria drove the workers into a frenzy and established the robot as a source of evil.
[Image Credit: https://phpmyadmin.muycomputerpro.com/art/practice-exercises/original-metropolis-poster.html]

Just seven years earlier, Capek’s play R.U.R. (Rossum’s Universal Robots), credited with creating the term robot from the Czech word for “forced labor”, treated the robots as products to be worked “to death”. Ultimately, when they learned to feel pain, they rebelled violently.
[Image credit: https://http2.mlstatic.com/D_NQ_NP_627793-MLU77845676222_072024-O.webp]
So, all those representations were spawned in a different time. And there have been robots in films ever since, really too many to count. Many we like. Who doesn’t like Robby in Forbidden Planet, or even Sonny in iRobot?
A final, more current reference. In the opening to Season One, Episode Two of Star Trek Picard, the “previously on Picard” leader portrays the crew of a defense outpost making fun of a synthetic human, an android of sorts, but not capable of human emotion. They tell a joke he can’t get, instruct him to smile, etc. Basically, bully the less than human artifact. The scene says more about the crew than the android. In the end, he destroys them all and himself. It wasn’t the bullying, but nonetheless, a discomforting scene revealing human nature.
So I wonder how much of their portrayal in film reflects how we treat them.
Which brings me to the tagline of this post: Cheap Labor, Companionship, or a Technical Challenge. In the movies mentioned, we treated the robots as a tool, labor, a device for our purposes. Granted, iRobot treated the robots well; even so, free labor—no agency was granted. Could a robot refuse to deliver a package, or empty the garbage, or …
In my post on June 4, 2026: Robots: Why Do They Need To Look Like Us?, we reviewed several reasons we might want them to be humanoid. I wonder how much of their human-like form engenders anthropomorphic sensibilities? Do we unknowingly feel for them as we would a human, even if their actions and demeanor result from sophisticated programming? Do we feel that way about our car, or our lawnmower, or our household appliances? All just tools to get the job done. When they break, we fix them or replace them.
How will we treat our robots?
Maybe it depends on whether they’re merely devices that provide cheap, reliable labor? Or are they companions that can enrich our lives? Or as we may find out, humanoid robots are really a contrivance and only suited to replace us in work that has been designed for humans to complete—a technical experiment. If we redesigned the work, would we even need humanoid robots? And if we don’t make them in human form, would our objection, resistance, fear that they’re taking something away, simply fall into the same bucket that any new technology does that changes work?
I wish I had the answers, but I’m glad I have the questions. Something to think about as we move forward into the brave new world.
In the meantime, leave a comment and let me know what you think about the introduction of robots into our lives and society.
Thanks for stopping by.















